Parkour by Eduardo Pavez Goye

Parkour by Eduardo Pavez Goye

On November 20, 2014 I directed a staged reading in Spanish of Parkour (or a Manual on How to Run in a Straight Line) [Parkour (o un manual para correr en línea recta)] by Chilean playwright Eduardo Pavez Goye. The reading was produced by La Micro Theater in the context of Escena Sur, a festival of contemporary Chilean playwriting.

In the words of the author,

This play is a monologue, it tells the story of an airline company worker who one day sees some boys practicing a sport called parkour. This sport consists of running in a straight line. The protagonist thus begins [to see] an obsessive correlation between the lack of direct actions in people’s behavior and the urgent need to reverse this situation, using only straight lines to achieve whatever we want in life, reaching the roughest extremes, isolating ourselves from the world and devising our own plan to keep going without turning or stopping.

Despite the monologic form, I decided to split the text between two performers, so that one of them could always appear as an interlocutor and aid in structuring the protagonist’s train of thought. I also felt a connection with Kazimir Malevich’s paintings, which became the backdrop to the play’s sections: the images visualized the content and mood of the text but obliquely, without becoming a literal illustration.

For the reading’s program, click here. For more info on Escena Sur and La Micro, click here. For the text of the play, see the author’s website.

The Cutthroat Series: Grandguignol Duels at The Flea

The Cutthroat Series: Grandguignol Duels at The Flea

The Flea Theater, New York City.

The Fall season of 2014 at The Flea was dedicated to the Cutthroat Series, eleven Grand-Guignol plays organized in four pods. Each of them replicated the concept of the douche écossaise, a mix of gory and lustful pieces. I directed Tics, or Doing the Deed (Apres Coup!… ou Tics) by René Berton with a cast of BATS, the resident company.

Not only did the title of the series apply to the stories portrayed, it also meant that each evening the audience voted for the best play, eliminating the others. Tics received the most votes and was extended for a run in January 2015 for the Winners’ Victory Lap.

For pictures and program of Tics, or Doing the Deed, click here.

To publicize the entire event The Flea produced a scary video where my cast experimented with makeup and grandguignol grimaces. You can watch it below.