Theatre Books Reviews
Guzzetta Juliet, The Theater of Narration: From the Peripheries of History to the Main Stages of Italy. Evanston, IL: Northwestern, 2021. Theatre Journal 76, no. 1 (March 2024): 118–19.
Pacchioni, Federico. The Image of the Puppet in Italian Theater, Literature and Film. New York: Palgrave, 2022. In Puppetry International Research 1, no. 1 (2023)
Faustini, Giuseppe. Luigi Pirandello, studi e ricerche. Pesaro: Metauro, 2017. PSA Pirandello Society Annual 30 (2017): 101–03.
Pirandello, Luigi. Pirandello’s Theatre of Living Masks. Trans. Umberto Mariani and Alice Gladstone Mariani. University of Toronto Press, 2011. PSA Pirandello Society Annual XXV (2013): 88.
Pirandello, Luigi. Pirandello’s Theatre of Living Masks. Trans. Umberto Mariani and Alice Gladstone Mariani. University of Toronto Press, 2011. Translation Review 84.1 (2012): 58-61.
Lauretta, Enzo, ed. La novella di Pirandello: dramma film musica fumetto. Pesaro, Metauro,2007. L’anello che non tiene 18-19 (2006-07): 172-76.
Eduardo De Filippo, Theatre Neapolitan Style: Five One-Act Plays, Translated and with an introduction by Mimi Gisolfi D’Aponte. Farleigh Dickinson UP, 2005. L’anello che non tiene 18-19 (2006-07): 164-66.
Ugo Betti, Frana allo Scalo Nord, Alfredo Luzi (ed.), Comune di Camerino, Università degli Studi di Camerino, [Bulzoni], 2002. L’anello che non tiene 16-17 (2004-05): 123-26.
Page Proof (Carta canta) by Raffaello Baldini, Daniele Benati ed., translated by Adria Bernardi, Bordighera Press, Department of Languages and Linguistics, Florida Atlantic University, Boca Raton, Florida, 2001. L’anello che non tiene, 15 (2003): 79-83.
George Villiers, The Rehearsal – La prova teatrale, Romana Rutelli (ed.), Napoli, Liguori, 1994 in Testo a fronte, 28.2 (2003): 351-56.
Performance Reviews
“Wrong End of the Telescope: A Pirandellian Adaptation Across Time and Gender.” PSA Pirandello Society Annual 29 (2016): 98–101.
“S16 – Luna Nera by Pioneers Go East Collective: An Interview with Artistic Director Gian Marco Lo Forte.” PSA (Pirandello Society Annual), XXVI (2013): 123-29. Click here to read the full review.