What I am up to, theatrically speaking
One conference right after the other, I return to the ASTR American Society for Theatre Research Con…
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On November 6-10 I’ll present my paper “Shipwrecked in Paradise: Expanding Consciousness in Michael …
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On July 23, I’ll speak about my archival research in Argentina and France at the “Unveiling Queer Ar…
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After a couple of years from when I presented the paper on the same topic at the PSi Performance Stu…
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Soon traveling to London for the PSi Performance Studies international conference #29 “Assemble” to …
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My chapter on controversial French author Jean Genet has recently been published in The Routledge Co…
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The current NCT production of María Irene Fornés’s Mud is an intense play beautifully directed and e…
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My chapter “Latin America” has finally been published in the collection Pirandello in Context, edite…
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My chapter “Echoes of Theatre Past: Blasco Ibañez’s El comediante Fonseca and Cozarinsky’s El rufián…
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Paper: “Friends or Foes, You’ve Gotta Love ’Em: Reframing Theatre’s Adversaries as Unwitting Allies”
On November 9 I discussed my paper “Friends or Foes, You’ve Gotta Love ’Em: Reframing Theatre’s Adve…
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On October 26, I presented the paper “The Balcony, The Pope, and The Screens: Jean Genet’s Unsettlin…
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After about 6 years from project through on-site research in Buenos Aires and Paris to book, I just …
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I interviewed Valerie Rachelle, who directed Violet – the musical by Jeanine Tesori (music) and Bria…
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My interview with May Liang, who directed Nguyen’s She Kills Monsters, has been published on the UNL…
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Continuing with my interviews with the directors of the Nevada Conservatory Theatre season, here is …
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