Yesterday I participated in the working group session “(Re)presenting Muslim Bodies of Performance” during the American Society for Theatre Research Conference “Extra/Ordinary Bodies: Interrogating the Performance and Aesthetics of ‘Difference’” in Atlanta, GA, I talked about a play by James Sanua, seen as the father of modern day Egyptian theatre.
![Paper: Real and Performed Egyptians in James Sanua’s The Unfaithful Husband Paper: Real and Performed Egyptians in James Sanua’s The Unfaithful Husband](https://i0.wp.com/stebos.net/wp-content/uploads/2017/11/ASTR2017_600x270.png?resize=768%2C350&ssl=1)