On November 20, 2014 I directed a staged reading in Spanish of Parkour (or a Manual on How to Run in a Straight Line) [Parkour (o un manual para correr en línea recta)] by Chilean playwright Eduardo Pavez Goye. The reading was produced by La Micro Theater in the context of Escena Sur, a festival of contemporary Chilean playwriting.
In the words of the author,
This play is a monologue, it tells the story of an airline company worker who one day sees some boys practicing a sport called parkour. This sport consists of running in a straight line. The protagonist thus begins [to see] an obsessive correlation between the lack of direct actions in people’s behavior and the urgent need to reverse this situation, using only straight lines to achieve whatever we want in life, reaching the roughest extremes, isolating ourselves from the world and devising our own plan to keep going without turning or stopping.
Despite the monologic form, I decided to split the text between two performers, so that one of them could always appear as an interlocutor and aid in structuring the protagonist’s train of thought. I also felt a connection with Kazimir Malevich’s paintings, which became the backdrop to the play’s sections: the images visualized the content and mood of the text but obliquely, without becoming a literal illustration.