Stevens Theatre, Gettysburg College, Gettysburg, PA
An adaptation in four parts for the students of my Modern Italian Theatre course. Based on a list of physical actions, we devised and rewrote four versions of the same play, which was set, in turn, in an informal college environment, a morbid Eighteenth century, a flashback from the point of view of one of the minor characters, and a world of puppets.
An account of the theory underlying this course can be found in my article “The Short Play and Postmodernist Stage Directing: A Virtual Experiment with Pirandello’s Cecè.” published in Quaderni d’Italianistica 32.2 (2012)
The Theatre Arts Department at Gettysburg College asked me to direct a mainstage production during the 2008-09 season. Thus, I adapted and translated the play into English in collaboration with Susan Russell, Chair and Professor of Theater Arts. The action was set in contemporary Venice Beach, California and the Italian aristocracy was transformed into its American counterpart based on wealth.
Also, in line with Goldoni’s biography, I imagined that the playwright himself was writing in a haste, in order to keep his promise of delivering as many as 16 new comedies during a single season, and thus win a bet against his competitors. Since everything was being created on the spot, the actors received their parts page after page and the set itself was brought in piece by piece and moved around as the play developed. You can read more in my director’s notes here.
Since we were dealing with lying at its “best”, I asked each member of the production to write a biographical note with a twist, and include a half lie and a full-blown one. You can read the entire program here: try to find the lies! Some are really funny and you can probably tell without knowing the person directly.