Director – Page 3 – Stebos, scholar/artist

La Traviata (from Giuseppe Verdi and Alexandre Dumas)

February 1, 2001January 9, 2021Stebos

Teatro del Tempo, Parma, Italy

For this dinner theatre show, I combined scenes from Verdi’s opera and Dumas’s Camille (La Dame aux camélias), with music played by an ensemble directed by Alessandro Nidi (Parma Conservatory). Two sets of performers, four actors and three singers, led the audience into the depths of passion as seen through the different conventions of spoken and musical theatre. The show had a lot of coverage in the newspapers and on TV since it was held during the year of the celebrations for the first centenary of Verdi’s death.

Read a series of articles published by the newspaper Gazzetta di Parma including a glowing review by Valeria Ottolenghi here. (in Italian, translations coming soon…)

Here is an 11 minute promotional video of the show:

The Two Gentlemen of Verona (from Shakespeare)

December 14, 2000June 5, 2021Stebos

I was called by Numeriprimi who wanted to stage a Shakespearean play in an imaginative way at the Teatro del Tempo in Parma, Italy. For this company of young actors, who had just graduated from a professional course supported by the European Union, I chose The Two Gentlemen of Verona.

In addition to providing an original translation, I dramaturged the script in several directions:

I substituted several scenes with speechless actions to take advantage of opportunities for physical theatre;
to better employ one of Numeriprimi’s performers, I substituted the clown character with a winged Cupid on roller skates who recited aphorisms from the humorous Murphy’s Law of Love, a prominent theme in the play;
finally, I added several songs, each in fact a Shakespearean sonnet, translated into Italian and set to original music by Marco Caronna.

With the tunes played by Luca Savazzi and sung by a gifted vocalist and company member, the show came to resemble a musical.

Below you find both an 8 minute promo video and the two parts of the full show:

Promo

Part 1

Part 2

The Giants of the Mountain by Luigi Pirandello

October 23, 2000June 1, 2021Stebos

Teatro del Tempo, Parma, Italy.

With members of the Numeriprimi Company I organized a public lecture about Pirandello’s The Giants of the Mountain (I giganti della montagna) for the students of the Italian Lit course at the University of Parma (Prof. Marzio Pieri). It included a dramatized reading, with actors working vocally to portray the many roles each of them was called to play. While stage directions were read aloud, a visual artist drew each character on a series of large sheets, building up to the impressive final scene where each of them was visible simultaneously around the theatre.

Read an article published by the Gazzetta di Parma (in Italian):

The Seagull (A Fragment) from Chekhov

August 1, 2000December 28, 2020Stebos

Stanislavsky’s House Museum, Moscow, Russia

The final directing project of the professional development “School after Theater” session held in Moscow consisted in choosing a short section of Chekhov’s The Seagull to be performed as an entire show. I worked with four actors from the Swedish National Theatre, plus many master class participants who were called to embody the dreams and expectations of the protagonists in the background. I directed in English, while the performance was in Swedish: despite the short (but intense) rehearsal time, I was impressed by the combination of focus and flexibility demonstrated by the players, which resulted in a really crisp performance. Plus, this was even more exciting as it was held in Stanislavsky’s own “chamber theatre.”

Hamlet in Raimondo’s Castle (from Shakespeare)

July 30, 2000January 9, 2021Stebos

Montecuccoli Tower, Pavullo and Monteceneri Tower, Lama Mocogno, Modena, Italy

This site-specific Hamlet summer project was held at two historical locations, very different spatially, a remodeled castle that normally functioned as a museum hall and a multi-level medieval tower near Modena, Italy. I directed Act III in a postmodern experimental way: for instance, the dialogue between Hamlet and the Queen (scene 4) occurred three times, in separate versions that spanned the range between ironic detachment and intense emotional involvement. Overall, my interpretation of the whole act derived by a sense that every character is constantly under surveillance and every scene is being watched by someone else within the world of the play. For the same project, I appeared as one of the play-within-the play masked actors.

A Coffee in Suspense from Eduardo De Filippo

January 1, 2000December 28, 2020Stebos

Spazio Ludialydiis. Milan, Italy

This extended monologue was a stimulating collaboration with Cecilia Vecchio, an actress from Teatro della Tosse (Genova), on a dramaturgy juxtaposing several female characters from Eduardo De Filippo’s oeuvre. I collaborated on this project to weave the different scenes into a coherent performance, which became Un caffè sospeso, a reference to the Neapolitan tradition of leaving a cup of coffee paid for, for the next customer who might need a free one.

Hamlet ’99

April 17, 1999January 9, 2021Stebos

Teatro Comunale Concordia, San Benedetto del Tronto, Italy

The first show where I experimented with brevity and improv together. One of the four actors and I produced a minimal version of Hamlet, and offered the audience the opportunity to choose the style they wanted it played, form serious to comic, spoken or musical-style.

Mácbèth (from Shakespeare)

April 9, 1998July 3, 2021Stebos

Franco Parenti Theatre, Milan, Italy.

My MFA diploma production with the actors of the School of Dramatic Art “Paolo Grassi.” The whole show was offered a small, somewhat claustrophobioc space at the Teatro Franco Parenti, which made movements difficult for the large cast. However, the location worked well with the theme of the play and afforded an incredible intimacy with the audience, which packed the seats for the production’s run.

Dramaturgically, I variously trimmed the play to emphasize Malcolm’s story and the theme of free will, in addition to translating the original.

Critic Ruggero Rastelli described the show as “a gem not to be missed” and my directing as “solemn and ironic at the same time, with that extra kick that takes you in” (Il Giornale, March 23-29 , 1998)

The video of the performance was later shown at Centro Festival del Teatro d’Europa, Palazzo Reale, Milan.

Miracles by Alessandro Rossi

July 16, 1997December 28, 2020Stebos

Alfredo Chiesa Theatre, Milan, Italy

A contemporary script satirizing the dangerous overlapping in the Italian system of media and politics, both under the influence of prime minister Berlusconi, here called “The Man Who Smiles.” The cool part was that since each of the components of the company “Movimenti Maldestri” was working in the same fashion magazine (Vogue Italia), we received both costumes by Moschino and coverage on the national magazine Panorama.

The Tragedy of Noble Antony (from Shakespeare)

May 6, 1997May 31, 2021Stebos

School of Dramatic Art “Paolo Grassi” – Sala Colonne, Milan, Italy

In this dramaturgy of two of Shakespeare’s Roman plays, scenes from Julius Caesar and Antony and Cleopatra explored Antony’s character in its entirety. Three male actors played all the roles including Cleopatra and the Roman mob, and this brought about many inventive solutions in a mixture of tragedy and comic moments.